2007-02-17

愛在遙遠的附近 - The Painted Veil

Written by Academy Award nominee, Ron Nyswaner (Philadelphia), and based on the novel by W. Somerset Maugham, THE PAINTED VEIL follows a bacteriologist Walter and his adulterous wife Kitty who move to a remote Asian village to fight a cholera outbreak. Away from her luxurious past life, Kitty has a spiritual awakening and learns to appreciate and love her husband…

The story is set in 1925. Kitty (NAOMI WATTS) is a spoiled young woman living in London. Facing the social stigma of her younger sister getting engaged first, Kitty quickly marries one of her suitors, Walter (EDWARD NORTON), a boring bacteriologist.

The couple moves to Shanghai where Walter researches ways to control epidemics in Asia. Although Walter is madly in love with Kitty, he finds that the pair has little in common and discovers that Kitty has an adulterous affair with a married diplomat, Charles (LIEV SCHREIBER - Naomi's real-life boyfriend). In order to teach his wife a lesson, he volunteers to work in a remote Chinese village where the plague is raging and local warlords are waging battles. Walter threatens Kitty to divorce her stating her infidelity if she does not accompany him to the area. She accepts the offer in order not to spoil her reputation and she feels disappointed when she knows that Charles will not ask for a divorce from his wife.

Living in the village where more and more people die of cholera, Kitty begins to appreciate his husband who gives no regard to his own life for the good of others. She also starts working in an orphanage to help the unfortunate. The hazardous journey indeed brings Walter and Kitty closer. Unfortunately fate intervenes…

Sometimes the greatest journey is the distance between two people… The Painted Veil, which is like an epic poem whispering the meaning of love and meditating on reflection and redemption, deeply touches my heart.

According to a psychologist Hegel, it is likely for self-reflection to take place when one goes out from the immediacy and returns. Kitty is born and raised in a rich English family. She knows more about herself when she moves to a cholera-ridden village where most people cannot speak English. What's more, the China's war-torn interior is much different from London. Being miles from civilization or further temptation, she begins to reflect on her role and gains a better understanding of her husband. When she goes back to London, she is already a mature grown-up who is conscious of what she has been looking for.

The magnificent Quangxi setting (in southern China) is not only breathtaking, but also symbolic. Some hills are farther than the others and their outlines are sometimes blurred by mist. It is just like the distance between Walter and Kitty, who are physically close, but spiritually apart. Through reflection, understanding can be enhanced. Through communication, distance can be shortened. Besides, the dimly-lit room where dead silence often sets in, the contrast between light and shadow and the characters in light-colored costume creates elegance, romance, tension and simplicity. The director successfully provides the audiences with the basics of love. The captivating cinematography by Stuart Dryburgh immeasurably enhances the story and the scenery will surely linger in your mind when you leave the theatre.

The movie has won several awards, one of which is the Golden Globe Best Original Score Award featuring a renowned pianist Lang Lang whose mesmerizing music was in tune with the story told. The haunting song played at the end brings back sweet and bitter snippets of Walter and Kitty’s shared life, leaving me speechless.

The charismatic lead performances and the strong supporting cast deserve our applause. Both Edward Norton and Naomi Watts deliver finely nuanced and captivating performances which are close to flawless. There are several zoom shots onto a particular character's face or eyes and you will find that their transfixing expressions can speak.

Sometimes the greatest journey is the distance between two people, yet the distance can be shortened. Reflection is the key. At the end of the movie, Walter and Kitty are physically distant, but spiritually united. That's LOVE! Despite the old-fashioned plot, The Painted Veil is a visually poetic, intelligently adapted, perfectly cast and entertaining romance. This is one of the best epic love stories I have seen in recent years. I give this haunting movie 4 stars out of 5.

Special thanks to the Intercontinental Film Distributors (HK) Ltd.


2007-02-03

影畫絮語 - 英女皇 The Queen

影畫絮語節目內容 (www.mov-reviews.com): 現年61歲的海倫美蘭憑(英女皇贏得奧斯卡金像獎最佳女主角,演技入木三分。







After producing Mrs Henderson Presents starring a shining actress, Judi Dench, the Director Stephen Frears brings audiences The Queen starring another dazzling actress, Helen Mirren.

The Queen is a subtle, witty and revealing protrait of the Queen addressing herself to protecting her British Royal Family after the death of Pricess Diana and the relationship between British Prime Minister Tony Blair thinking in a modern way and the Queen upholding traditional principles of her British Monarchy.



Every coin, indeed, has two sides... While the Queen looks very tough in front of others, she cries when she is alone. While she is the Queen, she is also someone's grandmother and an ordinary 70-year-old woman wearing a night gown in the house. Theoretically, she is the head of the country, but in practice, she exercises very little political executive power. While some people criticize her for being cold-blooded and showing ruthless disregard for her people's feelings, some people still look up to this charismatic and majestic monarch who has ruled the United Kindom since 1952. While Tony Blair urges her to comply with the public's wish, he sympathizes with and defends this old woman bullied by the public. While the Queen has to listen to Tony's advice, she strives to uphold the majesty of the British Royal Family. Indeed, the loss of citizens' support and the increasing power of Tony Blair put this old woman in a vulnerable position. Different points of view on the issue are fairly and comprehensively looked at.



The professional and charismatic cast impresses me a lot! Do you remember Helen Mirren's uplifting performance in Calendar Girls? This time, her acting is so overwhelming that I feel much pity for the Queen. Helen Mirren resembles HM Queen Elizabeth II, while Michael Sheen really looks like Tony Blair. Besides, the Queen's mother and Mr. Blair's wife move me to laughter. I simply had a gudging affection for all these characters when I left the theatre.

Those real news reports inserted from time to time go well with the drama, making the movie look realistic. Besides, the director is skilled at crafting humor. Here are some amusing quotes from the movie!


  • Prince Philip: Sleeping in the streets & pulling out their hair for someone they never knew. And they think we're mad!

  • Prince Philip: [to his wife] Move over, Cabbage.
  • Prince Philip: Elton John wishes to sing at the funeral. Should be a first for Westminster Abbey.

  • HM Queen Elizabeth II: [to her husband] Have you heard from the Spencers on what they wish to do with the funeral? HM The Queen Mother: Oh no, no one tells me anything.
  • HM The Queen Mother: Charles, dear, use the royal flight. They keep one plane on permanent stand-by, in case I should kick the bucket.



Tradition prepared her. Change will define her. I love the Queen as well as Queen's English (RP). Owing to the superb acting, subtle humor and an insight into the incident without bias, I give this documentary-like drama 4 stars out of 5. Don't miss it!

Special thanks to the Golden Scene Co. Ltd.


2007-01-28

慾望迷城 - Breaking and Entering



Stealing someone's computer is a crime, but is it worse to steal someone's heart? Are you interested in this philosophical question? I am not personally. To me, Breaking and Entering is just another typical melodrama with a contrived plot, talking about a man betraying his lover and having a fling with another woman.

Will (Jude Law) and his friend Sandy (Martin Freeman) run an architecture firm and move into a new office in the improving but still dangerous Kings Cross area of London, where they intend to transform a run-down neighborhood into a modernistic multiple-use park. Will totally immerses himself in his urban renewal projects. This worsens his relationship with his beautiful girlfriend Liv (Robin Wright Penn), who spends most of her time worrying about her autistic 13-year-old daughter Bea (Poppy Roger), who rarely sleeps and eats. Bea's only outlet for her energy is gymnastics.

Their new studio office has been burgled twice within days by a local gang of thieves and Will chases one of the young gang members, Miro (Rafi Gavron), back to the apartment he shares with his mother, a Bosnian refugee named Amira (Juliette Binoche). Will befriends Amira to further investigate the burglary, but their friendship gradually turns into an affair. Amira soon discovers that Miro robbed Will's office and becomes suspicious of his true intentions in their relationship. Amira, thus, blackmails Will in order to protect her son…

The director intends to make the movie conspicuous for its depiction of how different social classes and cultures collide. However, the contrived plot, the characters' strange behaviour and implausible lines hinder me from connecting with any one of the characters. First, it is unlikely for Will, a handsome English architect, to have a romantic affair with a Bosnian refugee whose son breaks into his office. The motive for his interest in her is unknown. Second, we don't understand why Will's daughter obsessively practicing gymnastics does not want to sleep and eat. Third, the Hollywoodized and unreasonable ending does not go with this independent film. {SPOILER} Why does Will suddenly become aware that Liv is the woman he loves most? Why are the policeman and lawyer easily deceived? Why does Liv easily forgive Will, after kicking the car and shouting neurotically, for having an affair? This is hardly believable.

If you watch Breaking and Entering owing to Anthony Minghella's success with The English Patient and The Talented Mr. Ripley, you will be disappointed. If you watch it because of Jude Law and Juliette Binoche, a French actress who is able to fully master her character's Eastern European accent, you may feel satisfied. Despite the powerful cast, Breaking and Entering cannot break and enter my heart. I give it 2.5 stars out of 5.

 Special thanks to the Intercontinental Film Distributors (HK) Ltd.


2007-01-25

落葉歸根觀後感 - Getting Home: What is Life?

老趙是個五十多歲的農民,他南下到深圳打工,卻因為好友老劉死在工地上,決定展開回鄉安葬老劉之旅。老趙先把老劉偽裝成醉鬼,混上了長途車,卻不幸在途中遇上劫匪。老趙誓死保護老劉的補償金,贏得劫匪敬重之餘,還救了一車人的財物。但他因為暴露了屍體,結果反而給乘客趕了下車。老趙在路上攔車,把老劉假裝成急救病人,並遇上好心人把他們送到醫院。晚上要住店,過了一夜才發現錢被偷了,老趙不禁悲從中來,但這未能動搖他的決心。要解決錢的問題,他把老劉裝成乞丐;要解決吃飯的問題,他到別人的葬禮哭喪;要掩蓋屍斑,他請髮廊妹為老劉化妝。一路上,老趙遇到形形色色的人。家鄉在望之際,他遇上泥石流,只能靠意志力戰勝大自然。當老趙帶著老劉回到故鄉時,卻發現故鄉已變成水庫,村莊都埋在水底了。此時,一段回憶湧現老趙眼前…… 小酒館裡,大醉的老趙向老劉抱怨生活艱辛、身體衰竭,他極害怕自己客死他鄉。同樣大醉的老劉對他說:「你死了,我就是背也要把你背回家鄉。」就是這個承諾及同胞之情,再加上沿路各有心人輕輕的扶一把,令老趙能默默支持走到最後,好讓老劉能落葉歸根的最大推動力。而同樣地,老趙亦在路途上發揮了人與人之間互助互愛的精神。

導演 : 張楊
演員 : 趙本山, 胡軍, 夏雨, 宋丹丹
片長 : 110 分鐘
級數 : IIA
語言 : 國語 (中英文字幕)

If the motherland were a river, I would be a fish swimming happily.
If the motherland were a road, I would be a car moving forward happily.
If the motherland were a tree, I would be a leaf waving in the breeze happily.

Life is unpredictable, consisting of ups and downs.
Sometimes you may be in high spirits, but at other times you can feel very low.
Sometimes you may meet very good people, but don't forget villains do exist.
Sometimes you may bound forward and run quickly, but you may stagger along one night.

After a dead leaf falls down, it is absorbed by the soil and a new plant will grow.
The cycle of birth, growth and death repeats itself, like the river in the last scene.
That's life…

No matter how feeble and helpless we may feel sometimes, human beings will still struggle with the environment and fate for an opportunity to live. Ahead of us are lots of things to experience, exciting and depressing. Nevertheless, because of pain, we know what pleasure is. (That's just like the walking scenes in the movie. When the girls working in the field, cars, cow and bicycle pass by, we know how fast Old Zhao walks. By the way, the audience may pay attention to the symbolic meanings of different vehicles in the movie, e.g. bicycles, coaches, carts, private cars, trucks, buses, etc.) If we were doomed to the sufferings, what we are able to change would be the way in which we interpret them. Be positive and never give up!

The movie ends suddenly and the unfinished business may puzzle some members of the audience. However, I personally find it very meaningful and symbolic. The ending successfully upgrades this can-be-typical road movie to an abstract motto. "Life is a road comprising UPS and DOWNS. Do live each day happily as it comes and enjoy life to the full!" The ending (i.e. the river) also symbolically implies that human beings should not always emphasize the importance of results. Instead, we should pay attention to the process.

Those touching moments, black humor, superb acting and the meaningful ending make this road movie a unique and impressive one causing catharsis. Moved to tears and laughter, you may ponder on the meaning of LIFE when you leave the theatre. HIGHLY recommended! I believe it will be chosen as one of my top ten movies in 2007. I give this film 4 stars out of 5.



盛夏光年 Eternal Summer - 唯美的莫名奇妙









康正行、余守恆是小學同班同學,正行是班長,守恆卻患上「過度活躍症」,一天到晚惹麻煩。某天,小學轉來了一位女生,竟遭守恆施展惡作劇令她當眾出醜。老師為了此事大動肝火,委派了正行幫助守恆適應校園生活。他倆不自覺地開啟了彼此間的陌生心靈,正行更了解守恆稀奇古怪的世界,二人頓成好友。轉瞬間經歷十數年頭,康正行(張睿家 飾)和余守恆(張孝全 飾)友情不變。高中時代的正行於校社裡結識了惠嘉(楊淇 飾),互相有著淡淡情愫。與此同時,正行發現自己對守恆的感覺超越了好朋友情份。惠嘉發現了這個秘密,她答應永不洩露出去。正行害怕面對自己,開始對守恆諸多逃避。守恆遍尋不果,卻發現惠嘉出現在球場上。惠嘉因為發現了正行的秘密,也對他喜歡的對象產生好奇。三人間微妙的友情、愛情關係,微妙的傾斜起來。

Eternal Summer is a beautifully shot movie reminding me of a song 勞斯.萊斯!

康正行 is a hardworking monitor while 余守恆 is a sporty boy who often misbehaves. The blue sea, the quiet library, the sweaty basketball court, the tiring classroom, the school uniforms, the bicycles, the green field, etc, beautify the movie and remind the auidence of our youth. Do you remember the green field in "All About Lili Chou Chou" and the school in "Blue Gate Crossing"? The movie successfully captures those happy memories of the youth. That's why I love the cinematography and music so much.

However, the plot is weak and you may find the motives for the characters' behaviour unclear. Besides, the acting is mediocre and and the film ends VERY suddenly. With lots of question marks in my mind, I give this film 2.5 stars out of 5. ___________________________________________________________________

Here is the summary of how people on the internet feel about this movie. I hope you find these comments useful. By the way, it's hard to find the pics here on the internet. I love them very much. ENJOY!

久雨不晴的鐵灰城市、憂鬱淡藍的路畔街光,整部電影的色調是個隱喻;潮濕的城市也是一種隱喻,象徵那種流動在人的血液裡極為不安卻又無法控制的狂潮,在守恆、正行與惠嘉三人間流篡。

陳正道導演在片中有許多運鏡營造出純純的校園之愛,攝影機在圖書館中隔著書架移動,對著窗外過度曝光的遠景,背景是輕快的鋼琴音符,十分有日本作品《情書》的味道,很純潔、浪漫。

好多懷念的場景,清晨蜜月灣無人的沙灘、海浪、沿著沙灘修築的堤防步道、國小操場... 那個我們曾經參與的夏天,似乎也隨著時間逝去。留下的,是回憶~

『每個人 生來就不應該孤獨』這是電影中的引子。你是 Gay, Les, Bi,都值得擁有愛

人長大了,真的什麼都變了... 會讓人懷念校園生活...

深度不足做作有餘, 十七歲的天空好看多了...

結局也莫名奇妙...

說難看不至於, 但就是少了分刻骨銘心的感動 ...



You may listen to the soundtrack here!
http://www.tienma.com/html2/23090.htm